Through the years, the longtime actress and former Broadway star has proven the scope of her talent by appearing on Scream Queens and Hairspray Live! Texas' genre-bending rock 'n' roller Israel Nash presents his latest long play, Lifted. It is a modern day hippie-spiritual, a tonic for those needing to put aside the mess of the daily grind. With luscious beds of strings, horns and well adorned towering walls of sound, Lifted finds Nash continuing his tradition of creating a sonic experience of feeling that is at once both vast and intimate -- soaring and untamed at times, placid and sincerely personal at others.
Year of the Snitch is the upcoming sixth studio album by experimental hip hop group Death Grips, set to be released on August 10, through Third Worlds and Harvest Records. Depper and Rae have both been part of Death Cab's touring band since Death Cab for Cutie will celebrate their new album with a much anticipated fall tour.
Check out the single "Gold Rush". This idea inspired me to make this album Heaven and Earth. The reality we experience is a mere creation of our consciousness, but our consciousness creates this reality based on those very same experiences. We are simultaneously the creators of our personal universe and creations of our personal universe.
The Earth side of this album represents the world as I see it outwardly, the world that I am a part of. The Heaven side of this album represents the world as I see it inwardly, the world that is a part of me. Who I am and the choices I make lie somewhere in between. They released their debut studio album Roads To Judah in They added drummer Daniel Tracy to the group and released their breakthrough album Sunbather in This sentiment is carried throughout the hazy, yearning romanticism of the record with song titles and words as sumptuous as the sounds around them.
Defeat has inspired some of our best art. If you survive something terrible, you surface on the other side, walk toward the light, and come back to life.
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Deafheaven have found a way to externalize all of this, and in making their most complete record to date, they turn it into a balm and a cathartic exorcism. The songs signal a page turned for Longstreth: hope instead of heartbreak, a restorative balance. The Ghost Note Symphonies, Vol I finds the band reimagining some of the biggest songs of their career with intimate performances and backed with strings.
Discipleship in Catholic Theology and Ethics: Widening the Picture
The sixth full-length studio release for the Damon Albarn's animated band features guest appearances from George Benson, Jamie Principle and Snoop Dogg. Whether commenting on the fragile state of the world or on personal relationships, this new collection may be the most powerful album the Cowboy Junkies have yet recorded. These songs are about reckoning on a personal level and reckoning on a political level. This is a record about the modern world: the relationships that fill it, the politics that divide it, the small victories and big losses that give it shape.
Taylor's writing is personal at points - the result of his recent engagement, which lends a sense of gravity and self-reflection to album highlights like "Time Flies Either Way" and "I Can't Love" - but it also zooms out, focusing not on the director himself, but on everything within the lens. Now more than 23 years into her musical calling, Case is the consummate career artist--fearless and versatile, with a fierce work ethic and a constant drive to search deeper within herself for creative growth. It stands in solidarity with the title track, which examines the ironic relationship between forgiveness and sin.
Florence writes about her teens and twenties with a renewed, more mature perspective: of growing up in South London, of family, relationships and art itself. Howard's music has amassed well over half a billion streams to date and has earned the singer-songwriter an Ivor Novello Award nomination, the U. I was so revved up that I asked some friends to come over to my home studio to help me write about all the incredible things I've experienced the last couple of years," said Brendon Urie, Panic!
At The Disco frontman.
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The album evokes the tear-jerking intonations of Brenda Lee and Patsy Cline and exudes a self-possessed melancholy that sets the scene for Shaw to comb through a personal history of love lost to time, circumstance, fear or neglect. I want to trap and package it, so I can pull it out of my body, and look at it to get some perspective on this event that has affected me," says Shaw of the catharsis inherent in her song-writing process. At its release, we will have been a band for over 13 years.
We have now written and released a total of 77 songs together. Throughout the process of recording 7, our goal was rebirth and rejuvenation. We wanted to rethink old methods and shed some self-imposed limitations. In the past, we often limited our writing to parts that we could perform live. On 7, we decided to follow whatever came naturally.
As a result, there are some songs with no guitar, and some without keyboard. There are songs with layers and production that we could never recreate live, and that is exciting to us. For 7, we built a "home" studio, and began all of the songs there. James Barone, who became our live drummer in , played on the entire record. The societal insanity of was also deeply influential, as it must be for most artists these days. Looking back, there is quite a bit of chaos in these songs, and a pervasive dark field that we had little control over.
The energy, lyrics and moods of much of this record grew from ruminations on the roles, pressures and conditions that our society places on women, past and present. The twisted double edge of glamour, with its perils and perfect moments, was an endless source. Thematically, this record often deals with the beauty that arises in dealing with darkness; the empathy and love that grows from collective trauma; the place one reaches when they accept rather than deny. While the title is simply a number that represents our seventh record, the number 7 does represent some interesting connections in numerology.
Much Love, Beach House.
Destructive Obedience: US Military Training and Culture as a Parody of Christian Discipleship
Thematically, the 12 new songs tackle race, politics, intersectional feminism and environmental prophecies head on. On I can feel you creep into my private life, Tune-Yards is officially a duo. Garbus is joined by longtime collaborator Nate Brenner who produced and wrote the album together with lyrics by Garbus.
Ruins is the new and eagerly awaited album from Swedish sister duo First Aid Kit. This new album finds First Aid Kit as you've never heard them before: wounded and biting back hard. While Ruins follows the traditions of the classic folk rock sound that First Aid Kit revived via their breakthrough album Stay Gold and previous releases The Big Black And The Blue and The Lion's Roar , the difference is that this time they've lived, and the results are intense.
Tracks such as "Rebel Heart" the album's opener documents a love doomed from the start. On "Postcard" and To Live A Life," you feel the breath-stealing weight of despair when a shattered love leaves you bereft of hope. In many ways, First Aid Kit's largest asset is their biggest problem. Their voices are so damn pretty. On Ruins, the duo didn't want it to feel perfect. They wanted it to feel rough and wrenching.
Johanna comments further, "Given the material, the lyrics had to be the focus.
I'd Rather Read: September
These sentiments didn't need to be dressed up. They needed to be naked. Ty Segall goes all the way, flipping the Freedom coin to find passion, laughter and savagery on both sides. A head-spinning compendium of stompers, weepers, ballads, screamers, bangers and funker-uppers, all marking a different impasse, like a flag whirling into a knot, exploding and burning on contact, in the name of life and loathing and the pursuit of what you love. A lot can change in a year: markets boom and bust, trends come and go, presidents get elected. Throughout the album, her contemporary take on classic sounds is at once familiar and daring, an infectious blend of Nashville country, Memphis soul, and Texas twang that tips its cap to everyone from Waylon and Willie who makes a guest appearance to Loretta and Dolly, all while flipping a middle finger to the cookie-cutter pop that dominates modern country radio.
All of the songs except one is coproduced by Arca. One of the songs is co-produced by Rabit. The rest of the album artwork will feature new digital illuminations and typography from MM Paris. Especially now, this kind of dream is an emergency. A record born of silver darkness, pressed onto heavyweight g white vinyl completed with undersize 75mm centre labels, housed within heavy white board inner and outer sleeves.
These are printed with a metallic silver laminate then multi-tone black and a striking neon green.